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On November 9th, as UW senior Lucas Braden drifted off to sleep,
his mind was reeling from all he’d seen and heard that day.
He was staying in a refugee camp in southern Ghana, where he had
spent the weekend talking with Liberian refugees. The next day he
would return to Kumasi, home to the UW’s program in Ghana,
and share his experiences with classmates.
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During
a UW Ghana Program field trip, Claire Suni helps Cape Coast
fishermen pull in their nets. Photo by Ter
Ellingson. |
The refugee camp visit
was one of many memorable moments for Braden, one of twelve students
participating in the UW’s new Ghana program, offered by the
Jackson School’s
Program in International Studies and the Program
on Africa in conjunction with the School of Music’s Ethnomusicology
Program. Students in the program spent four months at Kwame
Nkrumah University of Science and Technology (KNUST), taking classes
from Ghanaian faculty with African classmates as well as courses
taught by KNUST and UW faculty for UW students.
“We envisioned
a combination of classes,” says Linda Iltis, lecturer in comparative
religion and South Asian studies and academic counselor in the Jackson
School of International Studies, who led the Ghana program with
her husband Ter Ellingson, professor of ethnomusicology. “We
felt it was important to have the students be in classes with Ghanaian
students, but we also wanted to provide a thematic focus.”
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Linda
Iltis and Ter Ellingson (center) in traditional dress at an
Amo family funeral. Photo by Bartholomew Komoah.
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Iltis and Ellingson credit
Daniel “Koo Nimo” Amponsah, a Ghanaian musician and
visiting artist at the UW in the late 1990s, with providing the
“seed” for the Ghana program. After teaching at the
UW, Koo Nimo arranged for the couple to visit KNUST in Ghana for
preliminary discussions about starting a UW program there. They
made the trip and “fell in love with the country,” says
Iltis. A year later the University of Washington formalized its
affiliation with KNUST, and the program was born.
Iltis and Ellingson planned
to teach separate courses in Ghana—hers focusing on religion
and identity, his on urban anthropology—but found so much
overlap that they decided to combine their classes. They took full
advantage of their African setting, inviting frequent guest speakers
from the local university and community and planning nearly two
dozen field trips, ranging from a brief visit to a local market
to day-long traditional court sessions and funerals to a three-day
journey to a xylophone festival, a chief’s palace, and a hippopotamus
sanctuary. They met Ghanaians from every walk of life, including
fishermen, businesswomen, and political and religious leaders. “There
is so much that’s interesting there,” says Iltis, “that
it was hard to limit ourselves.”
For Braden, the field
trips were a highlight of the program. “The experience of
being there, visiting all those sites, gave us a perspective that
books could never portray,” he says. His favorite? A trip
to Cape Coast, which included an excursion to a rain forest with
stunning canopy bridges and a visit to two historic slave castles
with cells to hold slaves being sent across the Atlantic as part
of the slave trade. “It was impacting to see those cells,
feel what happened there,” says Braden.
The class also visited
many shrines and attended “akoms,” or possession ceremonies,
in which the priest is possessed by various deities through which
he interacts with the supreme deity. “It’s like a communion,”
explains Ellingson. “The spirit possession is kind of an ecstatic
experience.”
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UW
students (from left) Susan Heller, Lucas Braden, Claire
Suni, Annika Rudback, and Rachel Ferguson dance with traditional
priests at a possession ceremony. Photo
by Ter Ellingson.
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These and other celebrations
often involve dancing, and the students were always willing to participate.
“We told the students early on, ‘You never turn down
an invitation to dance,’” says Ellingson. “People
are not interested in how good a dancer you are, but rather what
kind of human being you are. Ghanaians have a strong memory of white
people in colonial days looking down on ‘the natives’
dancing. So it’s important to take part in the dancing.”
The students also did
their fair share of drumming. As a group, they took a weekly Ghanaian
drumming and dancing class. Miki Sugahara, a sophomore majoring
in music and international studies, took extra lessons each weekend
and volunteered at a drum store in town, hoping to learn how to
make a drum. “I went about once a week,” she says. “I
just helped them carve, sand…whatever they needed. In the
end, I made my own drum with their help, using a tree from the village
where one of the staff grew up.”
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| Miki
Sugahara at a xylophone lesson with her teacher, Bartholomew
Komoah. Photo by Ter Ellingson. |
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Volunteering at the drum
shop, Sugahara learned about more than drums. “Working with
people in the town, I learned a lot about the culture,” she
says. She found the people warm and welcoming and discovered that
everyone seemed to be related. “It was hard to go home at
night,” she says. “When I was ready to leave, I’d
spend 30 minutes saying my goodbyes to everybody. Then their cousins,
who all lived nearby, would come over to say goodbye,” she
recalls with a laugh. “It would take forever.”
Sugahara was not the
only UW student to develop ties to the Ghanaian community. Through
a research project assigned by Ellingson and Iltis, all of the students
engaged with the community at some level. “We wanted to get
them out of the classroom in their interaction with Ghanaians,”
says Ellingson. “And we wanted them to experience doing research
firsthand in a different culture.”
The students could choose
almost any topic for their research project, concluding with a final
paper. Their topics ran the gamut from Asante proverbs to the role
of women in Ghana, a matrilineal society. Two students volunteered
with an HIV/AIDS project at a local social welfare agency. Another
focused on “Women, Witchcraft, Christianity, and the Law,”
traveling to a “witch” village that is home to women
accused of witchcraft and banished from their own villages. And
then there was Lucas Braden’s research project, which led
him to the refugee camp in northern Ghana.
Braden, an international
studies and political science major, arrived in Ghana with an interest
in civil conflict. In the KNUST dormitory he met John Duwana, a
Liberian refugee who shared his experiences growing up in Liberia,
fleeing the country, and arriving in a refugee camp in Ghana seven
years ago.
“In Liberia he
watched his father be tied up, doused with gas, and burned alive,”
says Braden. “His brother went for food one day and never
returned. All the people in his life were destroyed.” At the
refugee camp, Duwana worked as a laborer and finished his education,
then spent several more years just marking time. He offered to take
Braden to the camp for a weekend.
“There are still
1,500 Liberian refugees living in that camp,” says Braden,
who spent his days there talking with people, jotting notes, and
taking photos. “It was a very sobering experience. You see
people in a position of hopelessness. They spend their time in limbo,
with no idea of what the future has in store for them. It really
opens your eyes to the world and to how civil conflict destroys
lives.”
Returning to Kumasi,
Braden described the refugee camp to his fellow UW students, just
as they shared their unique experiences with him. That sharing,
he says, was the best part of the Ghana program.
“We came with different
majors and distinct interests,” he explains. “That created
a great dynamic. We each went off to do our own research and then
came back and shared our experiences. It helped us all appreciate
the complexities of Ghanaian society—how it all comes together
to form this complex identity.”
Iltis and Ellingson
hope the program will be offered again, and are looking for other
UW professors to participate. “The University in Ghana is
keen on doing this again, and so are we,” says Iltis. “It
really is an amazing opportunity.”
[Winter/Spring 2004 - Table of Contents]
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